His Facility with Clay Made Him a Local Phenomenon
Tuesday, March 7th, 2006In his book, Modern Art: The Men, The Movements, The Meaning, Thomas Craven writes that George “passed his boyhood in the backwoods of Iowa, collecting birds and animals, and to preserve his specimens, stretched their skins over clay models. His facility with clay made him a local phenomenon, and when, at the age of thirteen, […]
